“樱花与剑”掐断的不止是探向未来的时间线——士兵复员后所面对的那些让他们心寒的“平民百姓”(善良、欢欣但并不理解战争是怎么一回事)其实也是战前的自己;是以困在那套军服里的时光也掐断了他们的从前there's no way BACK. 有时候真不明白这个世界怎么能这么操蛋
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Can filmmakers do whatever they want to challenge audience’s sensibility, patience, intellectual capacity? Absolutely yes and by all means please do! I love Tsai’s approach to reveal interviewees’ unspeakable joy and shame, by simply blowing up their facial features, usually unpleasant ones, being as flaw as they get. It’s courageous behavior art.